We move projects from abstract vision to operational precision.
THE SHOWCASE & THE PYRAMID
As WLVS grows, so do the artists on its Main Stage. Architecture gives this growth scale, framing and elevating the performer. The Pyramid starts with form. Ancient, precise, reduced to essential geometry. Two stages. Two ideas. The structure becomes the scenography. Material and geometry define the space.
As WLVS grows, so do the artists on its Main Stage. Architecture gives this growth scale, framing and elevating the performer. The Pyramid starts with form. Ancient, precise, reduced to essential geometry. Two stages. Two ideas. The structure becomes the scenography. Material and geometry define the space.
A rear LED visual created with Adam Rohál stretched the structure into endless depth, corner screens in the shape of an L carried the live cam, and a runway ran along the ground into the crowd.
Artists stood higher, visible from every point of the park.
The pyramid stage, twelve meters tall and finished with "owl ears", moved to a better spot and hosted the rising generation.
Around it all, an identity built on people guided the festival, and our first Odyssea Flowers pop-up sold out, every bouquet wrapped in the words of Nicholas Naison from his lyrics.
A rear LED visual created with Adam Rohál stretched the structure into endless depth, corner screens in the shape of an L carried the live cam, and a runway ran along the ground into the crowd.
Artists stood higher, visible from every point of the park.
The pyramid stage, twelve meters tall and finished with "owl ears", moved to a better spot and hosted the rising generation.
Around it all, an identity built on people guided the festival, and our first Odyssea Flowers pop-up sold out, every bouquet wrapped in the words of Nicholas Naison from his lyrics.
GREEN GROVE
Green Grove turned WLVS LIVE 006 festival into a living stage where real plants and flowers shaped the scenography and softened the room without losing clarity for the camera and the crowd.
We led creative direction, stage design, fabrication, and production, building a modular terrain with clean sightlines, safe routes, and integrated floral elements that could be reset quickly between sets.
Lighting and projection were calibrated to breathe with the greens, giving each artist a distinct micro landscape while the overall picture stayed calm, legible, and deeply atmospheric.
Dedicated to our friend Nicholas Naison.
Carried in the way we create, care, and show up for one another.
LLNN
STAIRWAY TO HEAVEN
Stairway to Heaven, became the central gesture of Saul's S.A.M.O. Tour 2025, extending the stage into a stepped depth and lifting the artist onto a clear focal point.
Built from nine modular blocks, the structure traveled across nine Czech and Slovak dates, including Pohoda and Grape Festival, adapting to each venue. Morphing in scale yet holding their symbolic weight.
CHAOS IN SYANAGOGUE
Our team was responsible for the full creative direction, technical production, and venue management. Vision became reality. We made it happen. Sold-out Saul show, a singular audiovisual experience, and a memory that will stay with both the audience and our crew.
Our team led full creative direction, technical production, and venue management. A sold-out Saul show — a singular audiovisual experience.
To work with the monumental architecture of the New Synagogue in our hometown had always been a quiet ambition of ours. Delivering a live show beneath the 20-meter dome of its central hall became a true production challenge that culminated in an unforgettable night.
Same show. Different dimension. Show number two. We transformed the Trnava Synagogue Status Quo Ante into an intimate circular stage environment, bringing the performer as close to the audience as physically possible. Custom mapping and a site-specific lighting design amplified the atmosphere, responding directly to the geometry and character of the space.
Live show beneath the 20-meter dome of the New Synagogue — a true production challenge culminating in an unforgettable night.
Show two: Trnava Synagogue transformed into an intimate circular stage with custom mapping and site-specific lighting.
THE SKEETER TOUR
Marko Damian's first live tour asked for a world you could enter, so we translated Skeeter into the tour's visual identity and logo, then anchored the show with the Barbiebox as a full scale stage prop.
We booked venues, built the production plan, and delivered complete venue production across four stops with consistent technical standards and a strong visual through line.
With the first-ever show staged inside a deconsecrated church in Slovakia, we engineered a precise collision of sacred architecture and raw contemporary culture.
